KC - April on Art and Music

Artist Grants and Opportunities

1/22/2019

These grants can provide YOU as an artist with
more time and freedom to be creative.

Take a look at this list--a great resource

"Applying for artist grants is a great way for artists to supplement their income to ease the financial burden that often comes as part of being a working artist. These grants listed help artists pay for materials, studio space, or even their rent, allowing artists the time to make work without the day-to-day pressure of paying bills—giving them the freedom to make work in an unrestricted manner and dedicate their time to being fully creative. "--artworkarchive.com (Jan. 22, 2019)

FULL LIST HERE:
www.artworkarchive.com

Edward Steichen's Glamour Photography at the Flagler Museum

1/5/2019

Actress Marlene Dietrich

Edward Steichen was an amazing artistic talent! He was the man who transformed portrait photography into a dramatic art. He did this through his black and white celebrity photos for Vanity Fair and Vogue in the 1920s and 1930s. In the hands of conventional photographers of the day, these portraits would have resulted in stiff conventional poses.

L to R. Actress Gloria Swanson; dancer and choreographer Martha Graham; dancer Fred Astaire

Amelia Earhart

But not through the eyes of Edward Steichen. He had a different vision. At these Conde Nast publications he broke from his "soft focus" style of the past and captured the essence of his subjects with dramatic black and white hard edge images. He had an uncanny knack of posing his subjects in ways that captured their total personalities--or even, one might say, their souls.

Winston Churchill

We were fortunate to have over 80 of his portraits on exhibit at the Flagler Museum this winter that included Steichen's iconic photographs of Gloria Swanson, Fred Astaire, Churchill and many others. The exhibition ran from October 16, 2018 through January 6, 2019.

The Cornell’s Intriguing Flora Exhibit

8/21/2018

(l.) "Mandela Grid" by Miya Ando; (c) Cornell Museum; (r) "Windbown" by Hayley Sheldon

Flora presents a garden of sensory delights

"Windblown" by Hayley Sheldon

As you enter the atrium of the Cornell Art Museum, you will be greeted by huge golden paper dandelions hanging from the atrium ceiling. Called “Windblown” by Hayley Sheldon, this artwork is the exhilarating opening act of Flora--the museum's summer-long exhibition. The exhibit has provided viewers with a surprisingly fresh look at a traditional subject—flowers—put together by the museum’s very creative curator, Melanie Johanson. She challenged artists to present their own conception of flowers in any medium they chose. The results are both varied and fascinating.

Walk through a "Floating Garden".......

"Floating Garden" by Amanda McCavour

The exhibition contains two very impressive large installations: "Enchanted" on the second floor and Amanda McCavour's “Floating Garden” on the ground floor in a corner room. This floating garden is composed of delicately embroidered flowers like buttercups held up by lines of string hanging from the ceiling. The flowers bend and bow their heads graciously like real plants as you walk down the path in the middle of the room.

Andy Warhol here!

"Untitled" by Andy Warhol

On the first floor you'll also find an pen and ink flower drawing
by the most famous artist in the show--Andy Warhol.
It's a delicate, almost whimsical
sketch--completely unlike his later
silkscreened flower prints.

A jolt to Buddhist tranquility

"Forget Me Not Featuring Warhol" by Metis Atash

On the second floor, however, you'll get a feeling for those silk creened prints by Warhol. Just take a look at the small bejeweled statue of Buddha by Metis Atash. It's entitled “Forget Me Not Featuring Warhol.” The statue glitters with colorful Swarovski crystals set in patterns from Warhol’s silk screened flower prints; but the spikes covering Buddha's head almost look like a warning. The statue seems to ask: Is glittering beauty better than Buddhist tranquility? It’s up to us to decide.

A forest both "Enchanted" and threatened

In a corner room on the second floor you'll find the installation entitled:"Enchanted." It's a room of mystery-- an indoor forest with a pond in the middle co-created by Diane Arrieta and photographer/video artist Cheryl Maeder. The center of the room takes on the appearance of a pond which Arrieta has filled with colorful animals huddled atop columns.

(l.)Cheryl Maeder (C.); Wall videos and animals from "Enchanted"
(R) Diane Arrieta and April Klimley outside the "Enchanted" installation

On the far wall, Maeder’s largest video transports viewers deep into a forest. Additional videos on the side walls show show people in inner tubes riding down a river. At first, the scene conveys a feeling a paradise. But there is an undercurrent of menace. The animals seem scared by the rising waters below them, and the inner tubes of the swimmers appear stuck in murky, swampy water. Something seems to be encroaching on the harmonious world of nature and threatening it. It's easy to conclude that the "something" lurking behind this scene and threatening it is the work of humans and civilization.

IF YOU GO: “Flora” remains open through September 9 at the Cornell Art Museum at 51 North Swinton Ave., in Delray Beach, Fl. Summer Hours: Thursday through Saturday 10 am to 5 pm Sundays 1 to 5 pm. For more information go to www.oldschoolsquare.org/about/cornell-museum/

Palm beach welcomes Cellist Andrei Ionita and Pianist Naoka Sonoda

4/21/2018

Cellist Andrei Ionita and Pianist Naoko Sonoda April 17 in Holy Trinity Churchh, West Palm Beach

Twenty-four year old Andrei Ionita proved that the cello is the most romantic of all instruments last Thursday April 17th at Trinity Church in West Palm Beach. From the first moment of the concert, Ionita hypnotized the audience. The cello he was playing sang, soared, moaned, and flirted. The sound he elicited appeared to depend not just on what was written by the composers, but even more on the emotions he generated playing each piece.

The concert was part of the Young Artists Series sponsored by the Chamber Music Society of Palm Beach. Ionita was accompanied by Naoko Sonoda on the piano in her first performance in the United States.

Right from the joyful opening of the first selection—18th century composer Pietro Locatelli’s Sonata in D Major—Romanian-born Ionita showed complete of his instrument and the ability to vary moods as if the cello were alive in his hands. It is no wonder he won a Gold Medal at the 2015 XV International Tchaikovsky Competition and was on his way to perform April 19 at Carnegie Hall.

Pianist Naoko Sonoda and cellist Andrei Ionita with artistic and executive director Michael Finn.

The Locatelli was in some ways the showcase piece of the evening. It was followed by two 20th century pieces followed—Stravinsky’s Suite Italienne and Shostakovich’s Cello Sonata in D minor, Op. 40. Of the two, the Shostakovich was the most satisfying, perhaps because of its plaintive and brooding first movement—or the way in which the piano melodies intertwined so completely with the cello at certain points. No matter, all three pieces captured the hearts of the audience.

As the evening drew to a close, it was clear the audience wanted more. Fortunately, there was only two weeks to wait until the next performance in the 2017-2018 season of the Young Artists Series. It will take place Wednesday, April 25 at 6 pm at the Breakers in Palm Beach, and feature a new trio composed of violinist Arnaud Sussman and pianist Orian Weiss, both winners of the prestigious Avery Fisher Career Grant. They will be joined by cellist Colin Carr.

For further information on this event call 561-379-6773 or
email the CMSPB at info@cmspb.org.

Viennese music captures the heart of a delray audience

3/28/2018

Symphonia brings music of Mozart and Beethoven to Delray!

The Symphonia--South Florida's world class chamber orchestra--presented an enticing selection of classical music pieces--with Viennese origins and connections--on Tuesday March 27 at Delray's Crest Theatre. Dramatic conductor Alastair Willis tied the music selections together throught a fictionalized and engaging narration which transported the audience to 18th and 19th c. Viennese concert halls where composers such as Mozart premiered their own work.

Alastair Willis conducted the Symphonia's Viennese concert Tuesday March 27.

The engaging Mr. Willis began the evening in 18th century Vienna. He assumed the role of a nephew of Signmund Haffner der Elder, once mayor of Salzburg and head of a family close to the Mozarts. In this role, from a podium in Vienna, Mr. Willis described some of the great music events of the time, while two digital screens projected pictures of that delightful baroque city on either side of the stage. The first event was the moment when Mozart conducted the first performance of his famous Symphony No. 35, "The Haffner" (named after the mayor's family), while Emperor Franz Joseph sat in the royal box above.

Naturally, Mr. Willis brought the evening to a close with a composition of Vienna's most famous 19th century musical family--the Strausses--
"The Blue Danube" waltz, which still delights and hypnotizes us today.

Alastair Willis and Charles Wetherbee

It was an evening of joy for both newcomers to the classical music scene, and afficionados who knew the music by heart. The conductor gave the audience the feeling they were sitting in gilded concert halls of over two centuries ago listening to music that remains as powerful and enjoyable today as it did when it was first performed.

This was the first time The Symphonia has performed in the Crest Theatre. The performance was part of a new series entitled "Symphonia Squared" being sponsored in partnership with Old SchoolSquare. For more information on The Symphonia, go to www.thesymphonia.org/

Let's fight the Met's New Out-of-Towner $25 Entry Fee

1/7/2018

The Metropolitan Museum of Art in New York City is
one of America's Greatest Treasures--
It should be open to everyone for whatever they can afford to pay

The Metropolitan Museum of Art is one of New York's greatest attractions. It also contains some of the best art in the world...Its treasures should be accessible to everyone without a fee (if they can't afford it)--not just "free" to those who live in New York City itself.

Furthermore, this $25 out-of-towner entry fee is not only wrong in terms of art itself, it is also elitist and regressive. The trustees are clearly stating that "art is for the rich" or "art is for who can afford it." The donors gave these treasures to the museum so the public could see them and not be excluded by this type of entry fee.

Finally, as I understand it, the irony is that these fees will not put a big dent in the deficit faced by the Museum. So, the trustees should find other ways to close the gap.

As an art lover and critic, I say -- LET'S FIGHT BACK!

Colorful sculptural ceramics light up Boca Museum

11/20/2017

Classics by Ohr, plus works by 15 modern ceramicists

An joyful mixture of contemporary sculptural ceramics, along with influential works by George Ohr, "The Mad Potter of Biloxi," are on display at the Boca Museum from November 7, 2017 to April 8, 2018. Entitled "Regarding George Ohr: Contemporary Ceramics in the Spirit of the Mad Potter," this unique exhibition shouldn't be missed. Seen above, left to right are: A Single Joy of Song by Betty Woodman; center and right, Stella and Nestoris II, both by Nicole Cherubini.

Ohr's work still startles us, but he opened doors!

George Ohr, "The Mad Potter of Biloxi" (Biloxi, MS)

Enter this amazing exhibition at the Boca Museum and you will be hit with a double whammy. The strange abstract art pottery of the "Mad Potter of Biloxi," George Ohr, is waiting for you in the opening hall. Many of these pieces are glazed in surprising, starling, dark and moody colors; and some of them even project a sense of hesitancy or underlying conflict. But the work in the last case, most of it created in the 1890s, has a different aesthetic. It projects strength and power, and an abstract look far ahead of its time.

Walk a few steps further and you're in for a surprise: A large airy gallery, filled with colorful, happy sculptural ceramic installations. These burst forth with beauty, joy, and bright colors--very different from Ohr's work. But at the same time, they are clearly influenced by him. That accounts for the title of the show: "Regarding George Ohr: Contemporary Ceramics in the Spirit of the Mad Potter."

Rare Ohr ceramics on display in opening hall

Two pieces--above left--on display in the exhibition illustrate Ohr's ability to combine traditional shapes with with startling colors and glazes. On the right, you can see the jump he made in the 1890s. He collapsed those shapes, twisted them, created thin walls, and came up with an abstract effect. The Arts and Crafts Movement of the day scorned these stange-looking pieces. But 50 years later artists like Jasper Johns and others consider him a forerunner of Abstract Expressionism. Today, it's hard to find these 1890s pieces for sale, and their prices keep rising. The most iconic pieces on display here come primarily from the collection of Marty and Estelle Shack, local collectors.

Ceramics expert Garth Clark sought out the artists

Looking at one of Takura Kuwata's glorious giant-sized tea bowls, I squeal with delight!

Garth Clark, the guest curator who put toether the show, says that he looked for artists "whose work continues the legacy of Ohr without copying it." He certainly succeeded.

Plus, he managed to pull together a group of ceramic artists whose work today is considered "fine art"---not just decorative or utilitarian, as ceramics were thought of in Ohr's day.

Indeed, today many artists and critics believe that Ohr's abstract art pottery hastened the transition of American ceramics from the world of utilitarian function to that of "fine art." The Boca Museum offers visitors an unusual opportunity to examine the work of many of these outstanding contemporary ceramic sculptural artists in one venue. The show runs from from Nov. 7, 2017 to April 8, 2018. For more details, see the my PalmBeachArtsPaper Ohr preview posted on my website, www.klimley.com.

The Artists' Guild Returns to Boca with a Big Opening

11/19/2017

Over 300 people crowd into beautiful modern space

It was almost a gala--the opening of the new Boca Artists Guild Gallery lasat week. Over 300 people arrived for the opening Wedneday Nov. 15 and avidly examined all the art--beautifully displayed on the well lit walls of the large new space--over three times that of the former gallery in Delray. Great variety of different types of painting, photography and sculpture--both abstract and representational. Interesting art jewelry in cases. Good food and wine. Lots of smiles. Animated conversation and many reunions! It seemed as if the event was opening the winter "season" here in South Palm Beach County!

This space looks as if it will be very successful for members of the Guild. Much more space. Better lighting. More room for more art. It has a good chance of attracting will serious art buyers, along with those loyal art afficionados, both during and after "the season." Check out the video below. The gallery is located at 2910 N. Federal Highway. Plenty of good parking and other interesting stores nearby.

The new Guild space with artwork installed--before the arrival of the big crowd for the reception. See video above for the tempo and excitement generated.

Boca Artists Guild Reopens in New Spacious Gallery

11/15/2017

Grand Opening Reception Tonight

Large, modern space of Artists' Guild in Boca. at 2910 N. Federal Highway.

Join the arts community at tonight's
Opening Reception of the Artists Guild in Boca.

The ehe Guild has moved from Delray to Boca. It now has an exciting, much larger gallery space--with plenty of room to display the works of Guild Members. The Opening Reception is free to the public tonight Nov. 15, 2017. Join us to enjoy plentiful New Works by Guild Members, free refreshments, and good art conversation as the winter season jumps into high gear. Hope to see you there. The event runs from 6 pm to 8 pm. Address: 2910 N. Federal Highway.

Lake Worth, Fl--August, 2017

9/14/2017

"Art of Women Who Resist" -- Came and Went Too Quickly

The opening of "Art of Women Who Resist--Bread and Roses" Aug. 18 at the Clay, Glass, Metal Stone Gallery in Lake Worth, FL.

Resistance comes in many forms: marches, books--and even in art in Palm Beach County, FL. A small gallery in Lake Worth stepped up to join the protest movement this summer with an strong, colorful display of locally-produced resistance art ranging from political buttons to collages, sculpture and paintings.

Held the last two weeks of August, the exhibit, commonly known as "Art of Women Who Resist", attracted a large audience at its opening August 18. The event included food and protest songs, while outside, a few Trump supporters showed up to protest this art event. (A protest of a protest?) The Clay, Glass, Metal Stone Gallery at 15 South J Street, Lake Worth, organized the show. The gallery is sponsored by the Flamingo Clay Studio at 216 South F St. [For more information on the art in photographs above and below, please call the gallery at 561-588-8344.]

"Bread and Roses" was the real title of the exhibit
although everyone was calling it by its "resistance" subtitle.

April next to a suffregist manniquin with a sign hanging below--"Congress, You Work for Us."

In 1912 immigrant women textile workers held a major strike in Lawrence, MA. They were protesting a cut in pay, and carried banners demanding both living wages and dignity which said "We want bread, and roses, too". That slogan became the name of the strike. After a long struggle through a mercilessly cold winter, the strikers won with a 20% wage increase from the mill owners. A few pieces in the exhibition referred back to those times. One was the dressmaker's torso manniquin I'm standing next to. It carries a double message. It's draped in a suffragette "Votes for Women" sash and sports a sign lower down saying "Congress, You Work For Us". (Shown below.)

Over 100 years after that strike, most artists in this exhibit focused on a very different type of political action--creating messages that reflected the resistance movement of today. Behind these was the belief that many of the actions taken by the present administration is trying to turn back the wheels of social progress for women and minorities.

CALENDAR
April's Picks for
Top February '19
Art Events

Dear Culture Lover:
Art and music nourish our souls and imagination, while deepening our understanding of the world.
We are lucky in that in the Palm Beaches--cities from Palm Beach itself to West Palm Beach, Boynton Beach, Delray and Boca--we have a wide variety of art (and music offerings) in "season" and out...
But where can you find out about the best of these?
these? Check out my "Top Picks" for the best art events of the month in the Palm Beaches... (Eventually we'll add top picks in music too.)
And read my blog for commentary on these art and music offerings in the Palm Beaches and beyond...
April
January 29, 2019

NOTE: April has a talent for life drawing and sketching; she is the daughter of two professional artists, and has been writing about art since she reviewed modern Chinese artist Chen Ting-Shin's artwork while living in Taiwan.

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